The year 2025 will always stand out in my memory for being a year of extremes. It was a year where survival was on my mind more than once. I live in an environment downwind from the Rocky Mountains. We have had extreme winds and some fires. The overall temperature this year has been higher than usual, so it is dry. I keep the car full of gas and a suitcase packed in case there are orders to evacuate. Fortunately, before Christmas, a friend sent a gorgeous and huge white poinsettia to cheer me up. Christmas Eve was lovely as I spent it with friends. And, it was a relief to have snowfall on December 29th.
On the personal level, I have had a good year. I have enjoyed meeting with my various groups. I have particularly enjoyed participating in the Columbine Poets because my knowledge and understanding of poetry have expanded. I have enjoyed hosting the BWA Poetry Circle because I have met a diverse group of poets. Additionally, I even managed to submit a poem to a poetry contest. I recently facilitated a workshop on Goal Setting for Writers at the local library and connected with an interesting group of writers.
I always spend the dead time between Christmas and New Year’s working on my goals for the upcoming year. This year, I will focus on a specific poetic form each month and practice learning to write each of the forms. I will also write about the forms in this blog. I will work on sonnets in January, ghazal in February, villanelle in March, ode in April, elegy in May, sestina in June, tanka in July, sijo in August, ballad in September, haiku in October, rondeau in November, and finally the cinquain in December.
My Writing Goals for 2026
- Continue to develop my poetry and connections with other poets:
BWA Poetry Circle: The December Poetry Circle featured Julie Cummings. She focused on how to write a contrapuntal poem. The workshop was well attended and attendees wrote drafts of original contrapuntal poems.
Cannon Mine Poets Group: Valorie Szarek presented on her new book and played music with some friends during the meeting in December.
- Continue to make progress on my draft novels:
Finish my first novel and query agents (IW): No progress
Finish my second novel (G): No progress
Continue to work on my third novel (PW): No progress
- Continue to develop a network of kindred spirits in the world of writing and publishing:
Boulder Writers Alliance: I missed the Happy Hour in December.
Columbine Poets: I attended three meetings in December. Unfortunately, I missed the holiday party.
- The Sonnet: A sonnet is a poem of 14 lines. Sonnets are often written in iambic pentameter and have a specific rhyme scheme, but vary in slight ways. Shakespearean sonnets differ from Petrarchan sonnets. A Shakespearean sonnet typically has three quatrains, that is, four-line stanzas that develop a theme or a problem. A Shakespearean sonnet concludes with a two-line couplet which may conclude with a summary, a resolution, or a shift in perspective known as a “volta” or a “turn.”
Example of Shakespearean Sonnet
Shall I compare thee to a summer’s day?
Rough winds do shake the darling buds of May,
Thou art more lovely and more temperate:
And summer’s lease hath all too short a date;
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance or nature’s changing course untrimm’d;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st;
Nor shall death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st:
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
Example of Shakespearean Sonnet
A Petrarchan (or Italian) sonnet is a 14-line poem in iambic pentameter, split into an eight-line “octave,” which uses the rhyme sequence ABBAABBA and presents a problem. The octave is followed by a six-line “sestet,” which may rhyme CDECDE or CDCDCD and offers a resolution to the problem.
Example of a Petrarchan Sonnet
She ruled in beauty o’er this heart of mine,
A noble lady in a humble home,
And now her time for heavenly bliss has come,
’Tis I am mortal proved, and she divine.
The soul that all its blessings must resign,
And love whose light no more on earth finds room
Might rend the rocks with pity for their doom,
Yet none their sorrows can in words enshrine;
They weep within my heart; no ears they find
Save mine alone, and I am crushed with care,
And naught remains to me save mournful breath.
Assuredly but dust and shade we are;
Assuredly desire is mad and blind;
Assuredly its hope but ends in death.
